Next, I wanted to reduce the world around us to be less than real, comic, or drawn. I wanted a way to algorithmically reduce the outlines of the world into something that resembled our real world, to make things as familiar as possible, but then quickly bending and skewing it, so that I could help us see how dark things are becoming.
To borrow a phrase from my partner in crime, I wanted to be able to reduce everything I captured in my photography and videos down to a transaction. I wanted to show us how the world around us is being digitized, de-humanized, and rendered into an even more hostile landscape, that has very little concern for the humans living in it.
I wanted to be able to go even further and visualize how noisy the world has become, not because of cars and airplanes, but because of our bits and bytes that were flowing around us every day. Help us visualize the constant assault on us, the people we love, and that increasingly there is no escape from this constant assault--it is in our homes, cars, business, and public spaces.
I want to paint a dark dystopian digital landscape, but ultimately I want as wide as a possible palette as I can. I needed an algorithmic palette of colors and textures that were born from the true artists who came before us, making the colors and textures familiar, and even soft before I took things to a much darker level. I didn't want to just shock, I wanted to slowly shift the world around us down a dystopian road.
Transforming our world into a cartoon or painting in a way that didn't make you feel completely uncomfortable. You were slowly slipping into a dream, falling asleep, and things haven't gotten too scary yet. The world is still familiar, with bright and colorful elements that still keep you smiling, and hopeful that things will get better--believing in the story I was telling.
Then slowly I want to be able to turn up the heat. Allowing the sun to set on the world you once knew. Then begin to reveal some of the darker outlines of the shadows and some of the darker aspects of our reality. Bringing some of the scarier aspects of the unfolding world around us out of the dark, and into the open.
Then looking to make you feel like you just dropped a substantial hit of LSD, allowing the sun to set on reality, where we let all the demons out to play and roam the streets. If you still live on the 10th floor or above the world might still look beautiful, but if you live on the ground floor, the world is a very scary place, where nobody is safe.
Something that will eventually affect everyone. The rich, the poor. Nobody will be safe, and nobody is immune from the dystopian effects technology and politics is having on our world. Just because you do not see the negative effects of the surveillance economy on your floor, doesn't mean it won't eventually reach you--at some point, we'll all be impacted.
I wanted to play with ways of taking us back in time. Take modern images, and make them feel like we were in the 50's, 40's, or any other decade or time period the conservatives want us to live in. I needed filters to apply to the current photos and videos I was taking, and shift them in time, keeping some of the context, while also allowing me to tell other stories that take us anywhere in the past.
I wanted a variety of ways to visualize the impending doom on the horizon. I wanted to be able to force the sun to set on the current day and paint an ominous picture what will happen once the sun goes down, and tomorrow begins. What did we do today, that will impact us tomorrow? How can I paint a picture that grabs our attention and potentially avoid a darker tomorrow?
And as the world begin to bend out of control, and we begin to lose our grip on reality, how can I point out how dark things are on the landscape, and show you that things are slipping? What is the right color palette, and texture for showing us that we are slipping into a darker reality, and potentially going down a road where there is no return?
In the same way, how to I paint a hopeful picture of tomorrow, either as the sun is setting, or right before it is coming up? Things might be a little dark, but this is a new day, and there is a little hope out there if do the right thing today, or maybe not make the same mistakes today that we made yesterday.
How do I articulate depression, and the mental illness around us, which we are in denial of? How do I take the color out of everything that matters to us, suck all the hot air out of the marketing hype and advertising polish that exists everywhere? How do I limit the color palette we have access to be more realistic, allowing us to have an honest conversation about what the fuck is really going on?
Most importantly, how do I avoid us heading down the darkest, most dystopian landscapes we can imagine? How do I make textures, colors, and filters that show the bombed out landscape ahead of us if we do not pull our shit together? How can I take the buildings, streets, and roads around us, and make the main street look like Syria, reminding us of what is just around the corner?
This is just the beginning. I have trained 25 separate filters, using Algorithmia's style transfer model machine learning process. I have another week or so of training these filters. I'm also working to gather more video and image footage that I can apply these filters. At each step of the process 1) capture images, 2) train models 3) apply filters I am learning a lot, something I hope never really ends. Training filters are costly, so I won't be able to continue indefinitely, but I wanted to mark the point on the calendar where I had achieved the results I had envisioned early on in my head.
Now I just ned to rinse and repeat. I am going to the US / Mexico border next week to gather some footage, and I will be going to DC later this month for some work, where I will also be working to gather some valuable footage. By then I am hoping I have a palette of about 50 separate machine learning filters I can apply to images and to videos using my algorithmic rotoscope process. Then I should have enough footage to begin telling more stories about the world around us, and help quantify the uneasy feelings we are all having about the world unfolding around us.